The former is a ‘flat character, and the Prince is a round character who changes and develops considerably in the course of the play. The characters have a small role to play in the story but you can make them memorable and interesting by giving them a special manner and style. The character neither reveals much about himself nor has strong characteristics. The key point in the flat/round distinction, however, has to do with the kind of relation a. It is true that round characters will have to exhibit more than one trait, it is also true that flat characters are often possessed of a multiplicity of distinguishable traits. Shakespeare’s Henry IV (Pts I and II) provides a suitable contrast in the shape of Hotspur and Prince Hal. Flat characters also help the main character type in his or her intention. Nor is the flat/round distinction is a matter of the number of traits. Micawber in Charles Dickens’s David Copperfield (1849–50) as a flat character and Becky Sharp in William Thackeray’s Vanity Fair (1847–48) as a round one. On the other hand, a ‘round’ character is a complex character with many different characteristics and develops throughout the play or story and thus alters and can surprise the readers.įorster cites Mrs. A ‘flat’ character is uncomplicated, and remains the same in the course of a story or play, and is characterized by only one or two traits. Forster in Aspects of the Novel (1927) to describe two basically different types of character- and characterization. The terms “flat and round characters” are first used by E.
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